Use ‘timpanists’ in a sentence | ‘timpanists’ example sentences
1- Modern timpanists execute such passages with standard felt mallets.
2- Thus, most timpanists own a great number of mallets.
3- Gone were the old ways of timpanists only playing the tonic and dominant.
4- Jonathan Haas is one of the few timpanists who markets himself as a soloist.
5- Even when gauges are available, good timpanists will check their intonation by ear before playing.
6- Often, timpanists will muffle notes so they only sound for the length indicated by the composer.
7- As a result, guilds were formed by timpanists and trumpeters and members were treated as an elite group.
8- This provided a way for timpanists to not only play their parts more easily but also use fewer drums.
9- Both the trumpeters and the timpanists were highly regarded and were often placed close to a commander when in battle.
10- Today, timpanists must use their ear and the score of the piece to determine the actual length the note should sound.
11- While two timpanists and the rest of the orchestra are putting out a truly frightening volume of sound, Mahler instructs the conductor to make sure the trumpets carry over the whole orchestra.
12- It was also sparked by interest among timpanists based on the composer’s well-known percussion concerto The Glory and the Grandeur and percussion trio Lift-Off.
13- The last two movements of the piece also utilize two timpanists throughout, with each player using a set of two timpani and having to play challenging rhythms and make several tuning changes.
14- At one point during the piece, starting two measures after rehearsal number forty-nine in the third movement to be exact, Berlioz even writes a timpani part to be played by four timpanists .
15- The third movement of this same symphony also presents a new challenge for timpanists , as Beethoven requires that two drums be played at the same time for the last five measures of the movement to make the sound of a double stop.
16- Besides the already mentioned more freely resonating kettle, this system of tuning was much quieter than the previous designs, allowing timpanists to change the drum’s pitch during quiet parts of the music.
17- Around this time, Europe was beginning to enter an era of industrial revolution, and new technological breakthroughs helped provide timpanists with possible ways to alter the pitch on one of their drums.
18- timpanists at this time were faced with a problem; using a large, cumbersome set of timpani to play their parts would not be possible due to space restraints.
19- One possible solution was for timpanists to add more drums to their set-up, but this also created a problem: During this time, performances often took place in courts or at smaller theaters that had limited stage space and large timpani set-ups did not fit very well.
20- More notes were written than just two simultaneous pitches and as a result, timpanists were faced with the issue of how to actually play their parts on the equipment that they already had.
21- By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before.
22- This meant that timpanists themselves were only allowed to be employed by nobility and were not to interact with other instrumentalists, who were considered to be household employees of an inferior rank.
23- These new and challenging compositional demands influenced the design of the timpani, how timpanists play the instrument, and also helped to raise the standard of playing to a whole new level.
24- Cooke’s version finishes with a percussion coda employing both timpanists , bass drum, and a large military drum which is to be muffled, that leads directly into the final slow movement.
25- One of the numbers featured by Kryl was the “Anvil Chorus” from “Il Trovatore” with four husky timpanists in leather aprons hammering on anvils shooting sparks (enhanced through special effects) across the darkened stage.
26- He was the first composer to indicate the exact sticks that should be used – “felt-covered”, “wooden”, etc. In several of his works, including “Symphonie fantastique” (1830), he demanded the use of several timpanists at once.
27- timpanists tend to be reluctant to strike the bowls at loud dynamic levels or with hard sticks, since copper can be dented easily due to its soft nature.
28- timpanists must normally avoid this effect, called “sympathetic resonance”, but composers have exploited it in solo pieces such as Elliot Carter’s “Eight Pieces for Four Timpani”.
29- He goes as far as ten timpanists playing three- and four-part chords on sixteen drums in his “Requiem”, although with the introduction of pedal tuning, this number can be reduced.
30- In his Overture to “Benvenuto Cellini”, for example, Hector Berlioz realizes fully voiced chords from the timpani section by requiring three timpanists and assigning one drum to each.
31- timpanists are required to develop techniques to stop all vibration of the drumhead without making any sound from the contact of their fingers.
32- In general, timpanists reserve this term for passages where the performer must change the pitch of a drum in the midst of playing – for example, playing two consecutive notes of different pitches on the same drum.
33- timpanists are required to have a well-developed sense of relative pitch, and must develop techniques to tune undetectably and accurately in the middle of a performance.
34- In general, timpanists do not use multiple bounce rolls like those played on the snare drum, as the soft nature of timpani sticks causes the rebound of the stick to be reduced, causing multiple bounce rolls to sound muffled.
35- Throughout their education, timpanists are trained as percussionists, and they learn to play all instruments of the percussion family along with timpani.
36- Even when gauges are available, good timpanists will check their intonation by ear before playing.
More Sentences:
Related Words:
timorous – timorously – timorousness – timothies – timothy – timpani – timpanist – timpanists – tin – cake tin – tin-pot – tin opener – tin whistle – tincture – tinctured –
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